"I don't mind if people are coming for the first time and just want to have a look around but I think there needs to be a mix and what I really like is people who just want to party.
"I like to have a bit of friction, I like variety," he says. "Then you look at that person and think that this person has never worn black before and it's just not right."Īs the club's gatekeeper, he gets to shape the crowd that swarms inside it. "I think there are too many stories about what you should and shouldn't do – wear black, don't look at the bouncers in the eye, all these little tips and tricks," says Marquardt.
#Berghain bouncer sven how to#
Hedonists flocking to the mecca spend much time theorising about how to maximise their chances of getting in. I didn't miss it and I found my new freedom partying in the club scene in East and West Berlin."īy day Marquardt sold shoes and by night he worked the door on many of the underground clubs that were popping up in the newly unified city, eventually settling at Berghain, which was born out of a gay fetish night.īerghain is as well known for the industrial techno that inspires marathon raving sessions as it is for the sexually loose atmosphere inside. I literally just put the camera away and it wasn't part of my life any more. "I didn't feel like I was desperate because I didn't have any ideas anymore. "With the falling of the wall it felt like freedom suddenly, and so that meant many artists just left what they were doing because of that event," he says. The mother of a friend, renowned photographer Helga Paris, acted as mentor to the young Marquardt, but following the fall of the Berlin Wall he put down his camera for over a decade.
Marquardt first started taking photos as a teenager, at a time when his punk aesthetic made it difficult for him to wander around Alexanderplatz without attracting the attention of the police. For me and my generation, it still serves as an interface to youth culture, he tells. A couple days ago I decided to build Berghain in minecraft. Most of his subjects are people he knows. For more than 18 years, the photographer and bouncer Sven Marquardt has manned the doors of the Berlin superclub Berghain the perfect vantage point to watch the evolution of the city’s legendary underground scene. "I think they're very original and authentic and they remind me of marooned sailors," he says. The 61-year-old leads security at the entrance of Berghain a techno club housed in a former East German power plant, and is notorious for turning away hopeful customers for the smallest discrepancy.
#Berghain bouncer sven series#
In July, Berghain hosted a series of limited capacity “sound exhibitions”.Two of the men featured throughout Fotografien are brothers and colleagues of Marquardt's at Berghain. Meanwhile, in the real world, Sven Marquardt has been making a name for himself as the most iconic bouncer Berlin has ever seen. Learn more about the exhibition at Berghain and how to get tickets here. Berlin was frozen, so why not think differently? Why not work together?”
Speaking to The Art Newspaper, Christian Boros said: “For three months during the confinement period we were speaking to artists on the phone every day.We wanted to show this incredible artistic production. All proceeds raised through the exhibition will go toward keeping Berghain float as the pandemic keeps clubs around the world from opening as normal. The exhibition has been curated by art collectors Christian and Karen Boros, and will include photography, sculpture, painting, video, sound, performances and installations. Among the artists featured in the exhibition are Wolfgang Tillmans, Olafur Eliasson and Tacita Dean, as well as Sandra Mujinga, Christine Sun Kim and Shirin Sabahi. Berghain will reopen as an art gallery in September, it has been announced.įrom 9th September, those wishing to visit the hallowed club will be able to book guided tours through its main room, Panorama Bar and Säule, where works from 85 Berlin-based artists will be on display.
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