It’s pretty scary that the truth feels malleable these days, rather than the fixed, objective reality that reporters are supposed to expose. Even tying in Trump, Adelson, and the election-which might have felt unwieldy to an outsider-made sense to me as an idea most of us in the media had latched onto by the end of 2016, and which persists today. Gawker is a complicated beast, but there's little doubt when you're watching this documentary about where Knappenberger stands (read: pretty much a total Gawker cheerleader). Yes, we know: Gawker pushed past the niceties of traditional mainstream journalism, which led to good and bad things-some articles of seemingly little news value, but also powerful pieces that held public figures and institutions accountable.
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In fact, because this trial was something media reporters had been obsessing about for months on end, all of the points this documentary seemed to want to make were almost overfamiliar to me. Not only did I see themes familiar to me as a journalist, I was also in the uncanny position of seeing onetime colleagues appear in a documentary (full disclosure: I was an intern at Gawker’s tech site, Gizmodo, for six months in 2011). I would actually argue that reporting on the saga may have brought me too close to the action. Davey, you watched this whole thing unfold much more closely than I did was there anything in this doc that really struck you? Moreover, do you think it’ll be as riveting for the average Netflix-surfer as it is for people in our field?ĭavey Alba: As a quick aside, these published conversations have always looked like so much fun from the business desk-I’m glad I have an excuse to do one! But I digress. I hope that people who don’t work in journalism can take something away from this. I am the target audience-I have a vested interest in people understanding attacks on the First Amendment.
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Then again, I work in the very industry Knappenberger’s movie seems dead-set on defending and protecting. Moreover, he’s able to show how the Gawker/Hogan case could have a chilling effect on media in a way I would imagine not everyone really considers. Now, he does it with Gawker’s role in the media in America.
He did it with Anonymous in We Are Legion and with Aaron Swartz in The Internet’s Own Boy. The company is offering severance pay to both Craggs and Read and any other staff who want to leave Gawker because of the new editorial controls Denton is proposing.Angela Watercutter: As a documentarian, Knappenberger has a knack for showing how individual people and movements can have much wider ramifications. However, three other senior executives, including president of advertising and partnerships Andrew Gorenstein, supported Denton. The memo says that in future no executive editor will be “hired, fired or overridden” unless both Denton and the company’s president agree and no advertising staff will be involved even in an advisory position.ĭenton asked senior executives to vote on his decision to remove the post but Dietrick voted to retain it. This is the next stage of our evolution.”ĭenton said the company hopes to announce an interim editorial lead for Gawker this week, and announced the hiring of former Google executive Ian Fette as chief technology officer. “We will face up to celebrities and other public figures who use the courts and other pressure to suppress the truth reinforce the existing church-state divide establish a clearer standard of newsworthiness inject some more humanity into bring in more experienced executives, managers and editors and refine our workplace culture and continue. “This is an opportunity to be seized, our best shot as an independent media company supporting the freest journalists on the web. “After the passionate public argument of the last week, calm is restored enough to begin a real, civil dialogue.” “The storm surrounding the CFO escort story has abated sufficiently for our internal soul-searching to begin,” reads the memo.
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